Reverso Tribute
ENAMEL TURNER
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Personalise your watch
Reverso Tribute
ENAMEL TURNER
OVERVIEW
REVERSO TRIBUTE ENAMEL TURNER
CRAFTSMANSHIP
80 HOURS OF MINIATURE PAINTING
The miniature-enamel paintings were executed using the Geneva technique, involving at least 14 layers of enamel, each fired at 800°C, and requiring a total of 80 hours of meticulous work. The enameller faced the challenge of precisely reproducing every detail on a scale of 2 cm².
MASTERING LIGHT & PERSPECTIVE
Recreating Turner's ethereal light, shimmering water, and illusion of depth was a demanding challenge, requiring intricate enamelling techniques. This involved working across multiple enamel planes and building layers of varying thickness, alongside the use of paillonage with silver leaf and translucent enamel for water effects.
GUILLOCHÉ ENAMELLED DIAL
The green tones of the water harmonise with a softly glowing olive-green alligator strap and are echoed in the dial, which is decorated with a new guilloché pattern, soleil croisé, creating a subtle texture beneath layers of richly lustrous enamel. This guilloché comprises 180 finely engraved lines, each executed in six successive passages of the rose-engine lathe, for a total of 1,080 passages devoted to the guillochage.
ART STORY
JOSEPH MALLORD WILLIAM TURNER
J.M.W Turner (1771-1851), a highly influential Western landscape painter, explored industrialization and social change through his art. Rejecting realism, he developed an expressive style using loose brushstrokes, color, and light to evoke emotion, transforming landscape painting. His work anticipated modern art, profoundly influencing Impressionism and Abstract Expressionism.
VENICE, TURNER’S ENDURING FASCINATION
Turner was deeply fascinated by Venice, inspired by Shakespeare and Byron, and made three late-summer journeys to the city (1819, 1833, 1840). During these visits, he prolifically produced around 150 watercolours and 900 drawings in under four weeks, with his oil paintings of Venice created later in his London studio.
THE DOGANA AND SAN GIORGIO MAGGIORE
Turner's 1834 painting of San Giorgio Maggiore, across from St Mark's Square, emphasizes light, color, and reflection, with the church anchoring the composition and buildings receding into a haze. Silver paillons in the enamel enrich the lagoon's texture and brilliance, contrasting the bustling Venetian life with the water's calm surface.
CALIBRE
A RECTANGULAR HEART
The manually wound calibre 822 that drives the Reverso Tribute Enamel Turner watch is the epitome of Jaeger-LeCoultre’s philosophy. Entirely designed, produced and assembled in-house, calibre 822 is an uncommon rectangular movement allowing it to fit in the Reverso watch case.
Calibre
HERITAGE
THE BIRTH OF AN ICON
In 1931, Jaeger-LeCoultre launched a watch that was destined to become a classic of 20th-century design: the Reverso. As an object that so deftly synthesised form and function, it has become one of the most recognisable watches of all time, looking as fresh and modern today as when it first appeared.
While its blank metal flip side had begun as a purely functional solution to avoid damage to the dial, it was an ideal surface for personalisation with monograms, emblems or personal messages using lacquer, engraving, enamel or gemstones. The Jaeger-LeCoultre museum showcases exceptional examples of this craftsmanship, including the 1936 Reverso ‘Indian Beauty’.
COLLECTION
Being the perfect canvas for artistic expression, personalisation has been at the core of Reverso watch since its creation. With 180 skills under one roof, the Atelier des Métiers Rares™ of Jaeger-LeCoultre is the perfect place to bring personalisation to life.